A line of thousands tropical islands between south east Asia and Australia,where hundreds of sub-tribes people live, Living in the past in harmony with nature softly adapting any influences of major cultures that comes era to era, Becoming a country of rich and unique cultures and traditions , gave born a magnificent series of ethnographic art, spreads all over the archipelago, never endlesstopics to many interests
Bali
Bali was inhabited by around 2000 BC by Austronesian people who migrated originally from Southeast Asia and Oceania through Maritime Southeast Asia.[5] Culturally and linguistically, the Balinese are thus closely related to the people of the Indonesian archipelago, Malaysia, the Philippines, and Oceania.[6] Stone tools dating from this time have been found near the village of Cekik in the island's west.[7]
In ancient Bali, nine Hindu sects existed, namely Pasupata, Bhairawa, Siwa Shidanta, Waisnawa, Bodha, Brahma, Resi, Sora and Ganapatya. Each sect revered a specific deity as its personal Godhead.[8]
Balinese culture was strongly influenced by Indian, Chinese, and particularly Hindu culture, beginning around the 1st century AD. The name Bali dwipa ("Bali island") has been discovered from various inscriptions, including the Blanjong pillar inscription written by Sri Kesari Warmadewa in 914 AD and mentioning "Walidwipa". It was during this time that the complex irrigation system subak was developed to grow rice. Some religious and cultural traditions still in existence today can be traced back to this period. The Hindu Majapahit Empire (1293–1520 AD) on eastern Java founded a Balinese colony in 1343. When the empire declined, there was an exodus of intellectuals, artists, priests, and musicians from Java to Bali in the 15th century.
The Dutch mounted large naval and ground assaults at the Sanur region in 1906 and were met by the thousands of members of the royal family and their followers who fought against the superior Dutch force in a suicidal puputan defensive assault rather than face the humiliation of surrender.[10] Despite Dutch demands for surrender, an estimated 200 Balinese marched to their death against the invaders.[11] In the Dutch intervention in Bali (1908), a similar massacre occurred in the face of a Dutch assault in Klungkung. Afterwards the Dutch governors were able to exercise administrative control over the island, but local control over religion and culture generally remained intact. Dutch rule over Bali came later and was never as well established as in other parts of Indonesia such as Java and Maluku.
In the 1930s, anthropologists Margaret Mead and Gregory Bateson, and artists Miguel Covarrubias and Walter Spies, and musicologist Colin McPhee created a western image of Bali as "an enchanted land of aesthetes at peace with themselves and nature", and western tourism first developed on the island.[12]
During the Japanese occupation a Balinese military officer, Gusti Ngurah Rai, formed a Balinese 'freedom army'. The lack of institutional changes from the time of Dutch rule however, and the harshness of war requisitions made Japanese rule worse than the Dutch one.[14] Following Japan's Pacific surrender in August 1945, the Dutch promptly returned to Indonesia, including Bali, immediately to reinstate their pre-war colonial administration. This was resisted by the Balinese rebels now using Japanese weapons. On 20 November 1946, the Battle of Marga was fought in Tabanan in central Bali. Colonel I Gusti Ngurah Rai, by then 29 years old, finally rallied his forces in east Bali at Marga Rana, where they made a suicide attack on the heavily armed Dutch. The Balinese battalion was entirely wiped out, breaking the last thread of Balinese military resistance. In 1946 the Dutch constituted Bali as one of the 13 administrative districts of the newly proclaimed State of East Indonesia, a rival state to the Republic of Indonesia which was proclaimed and headed by Sukarno and Hatta. Bali was included in the "Republic of the United States of Indonesia" when the Netherlands recognised Indonesian independence on 29 December 1949.
Komang Ary Indonesian arts Gallery
Authentic and selected indonesian art from the 19th century
Known as a museum of art that you can bring to your home
Representing a quality, creativity, idealism and daily activity in life, believe the past existence that exist between us now. Simple space represents a high Integrity of art,that offers you a certain vision and insight into the entire range of Indonesia.
Jl. AA Gede Rai
lodtunduh village
ubud bali indonesia,
next to balai banjar abian semal
Tel : 0361 981619
Mbl : 081805631796
Pin : 74F2117B
Eml : komang.ary.art@gmail.com
Eml : ia@komangary.com
www.komangary.com
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